![]() ![]() This is not as good when you have a dog slopping from a water bowl (gross mouthing noises from across the room!!), or a community pool outside your window (don't these people have jobs!?).ĭynamic microphones do a great job at filtering out extraneous sounds. From what I read, this is great for things like music. This is actually "good", in that they have a good range/frequency of audio they can record. One of the larger trade-offs to make between microphone types is in deciding between condenser and dynamic microphones.Ĭondenser microphones, like the Yeti, pick up a LOT of background noise. You can buy a better microphone, but in reality, you might just be buying a "different" microphone.Īlthough with a reasonable price increase, you likely are getting both different and better. ![]() Researching better audio equipment should inform you of the trade-offs to decide between, rather than as a way to find "the one true mic". You can see the dismal reviews for Blue's Radius shockmount on Amazon, although that may mostly be fixed with the Radius II mount. However, the Yeti is really heavy, making it a poor choice to put on most stands, which have a hard enough time keeping normal microphones in position without drooping. The fix for most of the vibration issues would be a desk-mount (or floor stand) and shockmount. Humans are seriously a pile of disgusting wet meat. If you ever wondered how attractive your breathing and wet, sloppy mouthing noises were, grab yourself a condenser mic. This is a condenser mic, and therefore picks up just about all stray noises.Worse, it could even be heard after putting the Yeti on thick stacks of paper to help absorb vibrations. This includes both the times I accidentally grazed the desk with my fingers, and any keyboard typing. As the Yeti sat on my desk, ALL desk vibrations were recorded as terrible, bassy thuds.Picture Quasimodo using a computer for the first time. To get close enough, I had to lean forward uncomfortably while speaking into it, which was super awkward when also typing/mousing around while recording.Since it comes with a desk stand, this created a few issues: The quality is much improved, but varied a lot depending on how close I was to the microphone. Searching for better quality, I moved onto using the popular Blue Yeti (eventually also adding a pop filter). Apple seems to have a baseline of $19.99 for even the cheapest item, so I've started calling $20 an "Apple Pricing Unit". As you might suspect, the quality was horrendous.Ĭost: 1.5 Apple Pricing Units. I haven't used it, but I'd also check out Camtasia if you're looking for alternatives.Īnyway, onward to audio stuff! First Feeble Audio StepsĪbout a year ago, I made one or two videos using the ubiquitous white earbuds of Apple fame. Adding affects, adjusting volume, hiding the mouse, showing keys hit, adding annotations and similar popular uses cases are all fairly easy to add. If you export an edited video to disk, you get a lot of options, but not so many that you feel like you need to be an expert to wade through them.Įditing sound and video is intuitive. For example, exporting a video in Screenflow is super easy for sending right to Youtube or Vimeo. It strikes a really good balance between control (aka complexity) and sensible defaults (aka ease of use). That lead me to Screenflow, which I can't recommend enough. I never aspired to having "proficiency in Adobe Premiere" on any resume, so I looked for alternatives. You can figure it out, but it's harder to do simpler things than it should be. I had a copy of Adobe Premiere from previous employment, and so tried that to edit the videos. This article is primarily about the hardware I use, but you might as well know about the software too.įor editing screencasts, I started out recording using QuickTime (the one that comes with your Mac). Since I'm doing a lot of video casting lately, I've invested in some decent gear. ![]()
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